{"id":581,"date":"2017-12-22T18:58:20","date_gmt":"2017-12-22T18:58:20","guid":{"rendered":"http:\/\/josephdreiss.com\/page1-2\/?page_id=581"},"modified":"2017-12-22T18:58:20","modified_gmt":"2017-12-22T18:58:20","slug":"publications-2","status":"publish","type":"page","link":"https:\/\/josephdreiss.com\/page1-2\/publications-2\/","title":{"rendered":"Publications"},"content":{"rendered":"

Books<\/strong><\/p>\n

Gari Melchers: His Works in the Belmont Collection<\/span>.\u00a0Charlottesville: University Press of Virginia, 1984.<\/p>\n

\u00a0Articles<\/strong><\/p>\n

\u201cThe Two Faces of Prudence: The Phenomenology and Neuropsychology of Free Will” The International Journal of the Humanities<\/span>, Vol. 3, Issue 7, March 2006, pp.121-128.<\/p>\n

The Sculpture of Harriet Whitney Frishmuth and New York Dance.\u201d Courier<\/span>, Vol. XXIX (1994), Syracuse University, pp. 29-38.<\/p>\n

\u201cA Refuge for the Muse\u201d Inform<\/span>, January\/February, 1991, pp.28-29.<\/p>\n

\u201cLeon Golub’s Gigantomachies; Pergamum Revisited\u201d<\/p>\n

Arts Magazine<\/span>, May 1981 p.174-176.<\/p>\n

\u201cDean Gillette; Toward Abstraction\u201d Arts Magazine<\/span>, Dec. 1976 pp.120-121.<\/p>\n

Catalogues and Catalogue Essays<\/strong><\/p>\n

\u201cWhat are We Fighting For: J. Coleman\u2019s History Repeats<\/em>\u201d Cre8space Studio Gallery, Washington D.C., October 2010.<\/p>\n

\u201cSteve Griffin: Forty-Five Years of Painting\u201d Rawls Museum Arts, Courtland VA, July 16 to September 10, 2010.<\/p>\n

\u201cTowards Enlightenment: J. Coleman\u2019s \u2018Wandering Stars\u2019\u201d Pandemic Gallery, Brooklyn, N.Y. April 2010.<\/p>\n

\u201cLeon Golub: An Assessment of Value.\u201d Leon Golub: The Anatomy of Power. Mary Washington College Galleries, October 2 to December 15, 1998.<\/p>\n

“Gari Melchers in New York,” Gari Melchers: A Retrospective Exhibition. Museum of Fine Arts, St. Petersburg, Florida, 1990.<\/p>\n

“Gari Melchers, 1960-1932,” Belmont, The Gari Melchers Memorial Gallery, Falmouth, Virginia, November 19 to December 11, 1977.<\/p>\n

“Striped and Shaped Canvases,” Bronx Museum of the Arts, New York, November 19 to December 11, 1974.<\/p>\n

Reviews<\/strong><\/p>\n

“Jim Respass,” Art Papers<\/span>, March\/April, 2002<\/p>\n

“Carolyn Henne,” Art Papers<\/span>, September\/Octorber, 2002<\/p>\n

“Sheila Pepe, Art Papers<\/span>, May\/June 2003.<\/p>\n

\u00a0\u00a0Arts Magazine<\/strong><\/p>\n

September, 1974; Vol. 49, No. 1 pp. 57-59.<\/p>\n

Louise Nevelson\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Rauschenberg<\/p>\n

Dennis Byng\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cy Twombly<\/p>\n

Peter Speinelli\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Marcia Hafif<\/p>\n

Aijiro Wakita\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Landmark Group Show<\/p>\n

Claes Oldenburg\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ralph Humphrey<\/p>\n

October, 1974; Vol. 49, No. 2, pp. 67-68.<\/p>\n

Pace Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Castelli Graphics Show<\/p>\n

Castelli Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Rosa Esman Group Show<\/p>\n

November, 1974; Vol. 49, No. 3, pp. 12-14.<\/p>\n

Deborah Remington\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Richard Rappaport<\/p>\n

William Haney\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 William Wilson<\/p>\n

Caldwell Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Jack Youngerman<\/p>\n

December, 1974, Vol. 49, No.4, pp. 13-15.<\/p>\n

Richard Serra\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Gordon<\/p>\n

Peter Mauss\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Delevante<\/p>\n

Jim Dine\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Swain<\/p>\n

Gordon Hart\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sandy Galleher<\/p>\n

Rosa Esman\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kazuko Inoue<\/p>\n

January, 1975, Vol. 49; Nol 5, pp. 13-15.<\/p>\n

David von Schlegell\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 James Jaszczyk<\/p>\n

Roy Lichtenstein\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Vincent Longo<\/p>\n

James Rosenquist\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Helmut Amann<\/p>\n

David Novros\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 Dorsky Group Show<\/p>\n

February, 1975, Vol. 49, No.6, pp. 16-18.<\/p>\n

Robert Rauscenberg\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Muriel Castanis<\/p>\n

Robert Irvin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Joe Zucker<\/p>\n

Anne Sharp\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 Charles Cajori<\/p>\n

Pace Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Rosa Esman Group Show<\/p>\n

March, 1975; Vol. 49, No.7, pp. 18-20<\/p>\n

Scarpitta\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dennis Oppenheim<\/p>\n

Pace Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dona Nelson<\/p>\n

Edward Ruscha\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tom Boutis<\/p>\n

Peter Campus<\/p>\n

April, 1975; Vol. 49, No. 8 pp. 7-8.<\/p>\n

Keith Sonnier\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Alan Kessler<\/p>\n

Ralph Humprey\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Landmark Group Show<\/p>\n

Esman Group Show\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Joseph Beuys<\/p>\n

Steve Kelsey<\/p>\n

May, 1975; Vol. 49, No. 9, pp. 16-17<\/p>\n

Paul Muller\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Robert Scehcter<\/p>\n

Shirley Fuerst\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 William McCartin<\/p>\n

William Fares<\/p>\n

Extended Reviews (1\/2 or full page)<\/p>\n

Joseph Beuys; September, 1974, Vol. 49, No.1, p. 53.<\/p>\n

Otto Logo; October, 1974, Vol. 49, No. 2, pp. 74-75.<\/p>\n

Hanne Darboven; January, 1975, Vol. 49, No. 5, p. 18.<\/p>\n

Le Mouvement, Rene; May, 1975, Vol. 49, No. 9, p. 23-24.<\/p>\n

Mirrors of the Mind, June 1975, Vol. 49, No. 10, p. 35.<\/p>\n

Ernest Trova; June, 1975, Vol. 49, No. 10, p. 36.<\/p>\n

Abstract Expressionism; September, 1975, Vol. 50, No.1, p. 26.<\/p>\n

Solomon Ethe; September, 1975, Vol. 50, No. 1, p. 27.<\/p>\n

Lynton Wells; October, 1975, Vol. 50, No. 1, p. 23.<\/p>\n

Fernando Botero; November, 1975, Vol. 50, No. 3, p. 5.<\/p>\n

Richard Avedon; November, 1975, Vol. 50, No. 3, p. 12.<\/p>\n

Russian Emigre Artists, December, 1975, Vol. 50, No. 4, p. 7.<\/p>\n

Herbert Bayer; January, 1976, Vol. 50, No. 5, p. 7.<\/p>\n

Pierre Haubensak; January, 1976, Vol. 50, Nol 6, p. 8.<\/p>\n

Solomon Ethe; December, 1977, Vol. 52, No. 4, p. 2.<\/p>\n

Irving Petlin; September, 1978, Vol. 53, No. 1, p. 6.<\/p>\n

Guy Pene Du Bois, January, 1981, Vol. 55, No.5, p. 15.<\/p>\n

Robert Kitchen; February, 1981, Vol. 55, No. 6, p. 6.<\/p>\n

Leon Golub, January, 1982, Vol. 56, No. 5, p. 10.<\/p>\n

George Bellows; December, 1982, Vol. 57, No. 4, p. 15.<\/p>\n

John F. Peto; April, 1983, Vol. 57, No. 8, p. 19.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Books Gari Melchers: His Works in the Belmont Collection.\u00a0Charlottesville: University Press of Virginia, 1984. \u00a0Articles \u201cThe Two Faces of Prudence: The Phenomenology and Neuropsychology of Free Will” The International Journal of the Humanities, Vol. 3, Issue 7, March 2006, pp.121-128. The Sculpture of Harriet Whitney Frishmuth and New York Dance.\u201d Courier, Vol. XXIX (1994), Syracuse … Continue reading Publications<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-581","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/pages\/581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/comments?post=581"}],"version-history":[{"count":1,"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/pages\/581\/revisions"}],"predecessor-version":[{"id":582,"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/pages\/581\/revisions\/582"}],"wp:attachment":[{"href":"https:\/\/josephdreiss.com\/page1-2\/wp-json\/wp\/v2\/media?parent=581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}