“The Aesthetics of Flow: Achieving Mihaly Csikszentmihalyi\u2019s Optimal Experience through Contemplative Practice with Visual Art” \u00a0at The Fluid Humanities Virginia Humanities Conference, Virginia Wesleyan University, April 12-13, 2019<\/p>\n
“Neuroscience, Neuroplasticity and the Transformative Potential of the Visual Arts” Hosted by Brain Awareness Week, University of Mary Washington, March 12, 2019.<\/p>\n
\u201c<\/strong>Through the Virtual to the Real: An Object Oriented and Contemplative Approach to Online Art Information\u201d at the Virginia Humanities Conference held at Virginia Military Institute, April 30, 2016.<\/p>\n \u201cThe Sculptures of Harriet Whitney Frishmuth and the Neuroscience of Ecstasy,\u201d at the Virginia Humanities Conference held at Longwood University, March 31, 2014.<\/p>\n \u201c<\/strong>Aesthetic Experience as Meditative Practice: Neuroplastic Transformation though Ritual and Reiteration.\u201d 22nd<\/sup> Annual Conference of the Society for Literature, Science and the Arts, November 13-16, 2008, Charlotte, North Carolina.<\/strong><\/p>\n \u201cNicolas Calas as Educator\u201d at Regarding Nicolas Calas Symposium at Athens School of Fine Art, Athens Greece, October 21-21, 2016.<\/p>\n \u201cMagic Icons: Nicolas Calas as Collector\u201d at Regarding Nicolas Calas Symposium at Athens School of Fine Art, Athens Greece, October 21-21, 2016.<\/p>\n \u201cPublic Art as Reportage and Critique: Leon Golub\u2019s Interrogations\u201d <\/em>for the panel \u201cArt and Purpose in the Public Sphere\u201d <\/em>at the Virginia Humanities Conference, \u201cHumanities in the Public Sphere,\u201d Marymount University, April 10-11, 2015<\/p>\n \u201cThe Landscape Interventions of Andy Goldsworthy \u201c”The Intertwining of Nature and Culture” Virginia Humanities Conference Christopher Newport University, March, 15-16, 2013.<\/p>\n \u201cDirect Encounters with Nonhuman Nature: The Landscape Interventions of Andy Goldsworthy\u201d\u00a026nd<\/sup> Annual Conference of the Society for Literature, Science and the Arts, November 27-30, 2012 Milwaukee, Wisconsin.<\/p>\n \u201cGoogle Art Project and the Representation of the Art Work qua Object.\u201d Faculty Academy on Teaching and Learning Technologies, University of Mary Washington, May 2012.<\/p>\n \u201cModern Art and the Art of Children\u201d Virginia Humanities Conference \u201cChildren and Childhood in the Humanities” Roanoke College, March, 2012.<\/p>\n \u201cThe Work of Art as Analogon: Sartre\u2019s Notion of the Immateriality of Art\u201d Mysterium Humanum Studies, University of Mary Washington, March 2012.<\/p>\n \u201cAdvanced Imaging Technology in ARTH 303 Methods of Art History: Using Google Art Project to Apply Morellian Connoisseurship Method.\u201d Faculty Academy on Teaching and Learning Technologies, University of Mary Washington, May 2011.<\/p>\n \u201cLeon Golub\u2019s Interrogations<\/em> and the Abu Ghraib Photographs: Human Nature on Display in Painting and the Media\u201d at the annual Virginia Humanities Conference \u201cHumanities on Display\u201d Virginia Commonwealth University in Richmond, Virginia, April 2010.<\/p>\n \u201cPsychoanalytic Art, Quantum Physics and the New Mind\/Matter Paradigm,\u201d Thursday, March 26, 2009, Ridderhof Martin Gallery, University of Mary Washington, Fredericksburg, Va.<\/p>\n “Spero’s First Language and Bartky’s Phenomenology of Oppression.” Nancy Spero: A Symposium, Fall, 2000.<\/p>\n “Melchers in New York,” paper presented at “Gari Melchers: A Symposium,” Museum of Fine Arts, St. Petersburg, Florida, March 11, 1990.<\/p>\n On Golub: The Reality of Fiction” Panel Discussion held at the Corcoran Gallery of Art, Washington, D.C., Thursday, July 18, 1985.<\/p>\n","protected":false},"excerpt":{"rendered":" The Contemplation of Art and Neuroscience “The Aesthetics of Flow: Achieving Mihaly Csikszentmihalyi\u2019s Optimal Experience through Contemplative Practice with Visual Art” \u00a0at The Fluid Humanities Virginia Humanities Conference, Virginia Wesleyan University, April 12-13, 2019 “Neuroscience, Neuroplasticity and the Transformative Potential of the Visual Arts” Hosted by Brain Awareness Week, University of Mary Washington, March 12, … Continue reading Conference Presentations<\/span> Art History and Criticism<\/h6>\n